NATIONWIDE PRODUCTION & STUDIO MOVERS
When the Production Jumps States, We Are Already There
Studio relocations, production offices, sets, props, and equipment moved in all 50 states. In-house crews, our own fleet, secure storage, and discretion as a baseline, wherever the schedule goes next.
- Coverage in All 50 States
- Set & Scenic Transport
- Production Office Moves
- Secure Asset Storage
- Productions relocated between markets without a broker in the middle
- Sets, scenic, and props crated and transported intact
- Production offices working again by the next call day
- NDAs, badge lists, and set security rules honored everywhere
PRODUCTION WITHOUT BORDERS
Tax Credits Move Productions Around the Country. Somebody Has to Move Everything Else.
Modern production chases stages, incentives, and locations across the map. A series shoots one season in Georgia and the next in New Mexico. A feature wraps in one market with its sets destined for a warehouse in another. A production company outgrows its offices mid-project. Every jump generates the same unglamorous problem: tons of equipment, sets, and infrastructure that need to be somewhere else, intact, on a date the schedule already decided.
Flood Brothers handles that problem in all 50 states with our own crews and our own fleet. No broker, no mystery affiliate meeting your one-of-one scenic at a state line. More than 220 full-time employees let us field and scale crews fast, and over 500,000 square feet of secure warehouse space means your assets have a documented home between seasons.
The schedule changes. The vendor should not have to.
LONG-HAUL PRODUCTION LOGISTICS
Oversized Sets, Sensitive Gear, and Deadlines Measured in Call Sheets
Interstate production moves are logistics problems with a creative asset in the middle. Built sets need custom crating and sometimes oversize permits. Camera, grip, and lighting packages need padded, inventoried transport with real chain of custody. Props and set dressing need to arrive findable, not just present. And all of it moves against dates set by stage availability and shooting schedules that will not wait for a truck.
We plan to the manifest: what must arrive first, what can stage in our warehouses, what needs climate consideration, and what needs an escort. Security travels with the load too. NDAs are signed before crews are assigned, badge protocols are followed at both ends, and nothing about your production shows up on anyone’s social media. That is table stakes in this industry, and we treat it that way.
WHAT WE HANDLE
Everything a Production Owns, Between Any Two Markets
For studios, production companies, networks, and vendors that follow the work.
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Studio & Stage Relocation
Full stage clears and studio moves between markets, executed on hard deadlines with in-house crews.
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Set & Scenic Transport
Built sets and scenic pieces crated, permitted where oversized, and delivered intact to the next stage.
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Production Office Moves
Offices, editorial, and departments relocated between cities and working again by the next call day.
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Equipment & Package Transport
Camera, grip, lighting, and mill equipment moved inventoried, padded, and chain-of-custody documented.
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Props & Asset Storage
Secure, inventoried warehousing between seasons with documented check-in and recall.
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Wrap-Out Programs
End-of-production clears that return stages on time and route every asset to its documented destination.
NO BROKERS, NO SURPRISES
The Crew at Origin and the Crew at Destination Work for the Same Company
The standard national model hands your move between affiliates and hopes the standard survives the handoff. Ours does not. Flood Brothers crews load the trucks, Flood Brothers drivers haul them, and Flood Brothers crews unload at the destination, under one project manager who answers for the entire chain. For productions moving irreplaceable assets on immovable dates, that is not a luxury. It is the requirement.
The Flood Brothers Difference
Capacity Productions Can Book Against
- 220+ Full-Time In-House Crew Trained crews on our payroll, not day labor.
- 500K+ Sq Ft of Warehousing Secure, racked storage and staging space.
- 50 States Covered One partner for local and multi-site work.
- 97% On-Time Completion Projects finished to the agreed schedule.
HOW A PRODUCTION MOVE RUNS
Four Steps From Wrap to the Next Market
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Manifest & Sign
We build the inventory, sign the NDAs, identify oversize and sensitive loads, and lock the plan to the calendar.
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Crate & Load
Sets, gear, and assets crated and protected to the piece, loaded by full-time crews at origin.
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Haul & Stage
Our fleet runs the route, with secure warehouse staging when stage dates do not align.
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Deliver & Verify
Assets land at the destination inventoried and intact, with documentation closed out at handover.
Trusted by industry leaders
Enterprises that count on Flood Brothers
Your team demonstrated a level of urgency and attention to facility protection that I had not seen before.
We highly recommend Flood Brothers without reservation. They were on time, professional, and customer service-oriented.
We are very fortunate to have Flood Brothers as one of our partners, as they are willing to do whatever it takes to provide quality service.
Get Started
Plan Your Production Relocation
Tell us what is moving, between which markets, and the dates the schedule allows. A project manager will hold capacity and build the plan.
(866) 528-9137
Thank you
Request Received
Most inquiries are reviewed within 1 business day.
Response in 1 business day or less
Questions & Answers
Nationwide Production Moving FAQs
General
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No. Your move stays inside Flood Brothers from load to delivery: our crews, our drivers, our warehouses, one project manager. For productions moving one-of-one assets, removing the handoffs removes most of the risk.
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Yes. Full stage clears and interstate set transport are core work, including custom crating, oversize permits where needed, and delivery timed to stage availability at the destination.
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NDAs before crews are assigned, sealed and documented loads, badge protocols at both ends, and strict no-photo rules. Chain-of-custody documentation travels with sensitive equipment from origin to destination.
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Yes, in secure, racked, inventoried warehouse space with documented check-in and recall. Sets and props from this season are findable and intact when the next one greenlights.
HOLD YOUR DATES
Production Jumping to a New Market?
Send the manifest and the dates. We will hold crew capacity on both ends and own every mile in between.